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Mexican style professional person wrestling

Lucha libre (Spanish pronunciation: [ˈlutʃa ˈliβɾe], significant "freestyle wrestling"[1] or literally translated equally "gratuitous fight") is the term used in Mexico for professional wrestling. Since its introduction to Mexico in the early on 20th century, information technology has adult into a unique class of the genre, characterized past colorful masks, rapid sequences of holds and maneuvers, equally well as "high-flying" maneuvers, some of which take been adopted in the United States, Japan, and elsewhere. The wearing of masks has developed special significance, and matches are sometimes contested in which the loser must permanently remove his mask, which is a wager with a high degree of weight fastened. Tag team wrestling is especially prevalent in lucha libre, specially matches with three-member teams, called trios.

Although the term today refers exclusively to professional wrestling, information technology was originally used in the aforementioned mode as the American and English term "freestyle wrestling",[two] [three] [4] referring to an apprentice wrestling style without the restrictions of Greco-Roman wrestling.

Lucha libre wrestlers are known as luchadores (singular luchador, meaning "wrestler"). They usually come from extended wrestling families who form their own stables. 1 such line integrated to the The states professional wrestling scene is Los Guerreros.

Lucha libre has become a loanword in English, as evidenced by works such as Los Luchadores, ¡Mucha Lucha!, Lucha Mexico and Nacho Libre. Lucha libre besides appears in other popular civilisation such as mainstream advertising: in Canada, Telus' Koodo Mobile Post Paid jail cell service uses a cartoon lucha libre wrestler as its spokesperson/mascot.

On July 21, 2018, Mexican Lucha libre was declared an intangible cultural heritage of Mexico Metropolis.[five]

Rules [edit]

Publicity still of Salvador Lutteroth

The rules of lucha libre are like to American singles matches. Matches can exist won by pinning the opponent to the mat for the count of three, making him submit, knocking him out of the ring for a predetermined count (mostly xx) or past disqualification. Using the ropes for leverage is illegal, and once a luchador is on the ropes, his opponent must release any holds and he will not be able to pin him.

Disqualifications occur when an opponent uses an illegal hold, motility (such equally the piledriver, which is an illegal movement in lucha libre and grounds for immediate disqualification, though some variations are legal in certain promotions), or weapon, hits his opponent in the groin (faul), uses outside interference, attacks the referee, or rips his opponent'southward mask completely off. Most matches are two out of three falls (dos de tres caídas), which had been abandoned for title bouts in North America and Japan in the 1970s.

A dominion unique to lucha libre applies during tag squad matches, which is when the legal wrestler of a team touches the floor outside the band, a teammate may enter the ring to take his place as the legal competitor. Equally the legal wrestler can step to the floor willingly, there is substantially no need for an actual tag to a teammate to bring him into a match. This often allows for much more frenetic action to have place in the band than would otherwise be possible under standard tag rules.

History [edit]

The antecedents of Mexican wrestling date back to 1863, during the French Intervention in Mexico, Enrique Ugartechea, the first Mexican wrestler, developed and invented the Mexican lucha libre from the Greco-Roman wrestling.[vi] [7]

In the early 1900s, professional person wrestling was mostly a regional phenomenon in Mexico until Salvador Lutteroth founded the Empresa Mexicana de Lucha Libre (Mexican Wrestling Enterprise) in 1933, giving the sport a national foothold for the first time. The promotion flourished and quickly became the premier spot for wrestlers. As television surfaced equally a viable entertainment medium during the 1950s, Lutteroth was then able to broadcast his wrestling beyond the nation, afterwards yielding a popularity explosion for the sport. Moreover, it was the emergence of television that allowed Lutteroth to promote Lucha Libre's first breakout superstar into a national pop-culture phenomenon.[8]

In 1942, lucha libre would be forever changed when a silvery-masked wrestler, known just every bit El Santo (The Saint), first stepped into the ring. He made his debut in Mexico City past winning an 8-human battle majestic. The public became enamored past the mystique and secrecy of Santo'due south personality, and he quickly became the most popular luchador in Mexico. His wrestling career spanned almost v decades, during which he became a folk hero and a symbol of justice for the common human being through his appearances in comic books and movies, while the sport received an unparalleled degree of mainstream attention.[nine]

Other legendary luchadores who helped popularize the sport include Gory Guerrero, who is credited with developing moves and holds which are now commonplace in professional wrestling; Bluish Demon, a contemporary of Santo and maybe his greatest rival; and Mil Máscaras (Human being of A 1000 Masks), who is credited with introducing the high flying moves of lucha libre to audiences around the globe. He achieved international fame as one of the first loftier-flyers, something he was not considered in United mexican states, where he fell under the mat-power category.[10] [eleven] [12]

Style of wrestling [edit]

Luchadores are traditionally more than agile and perform more aerial maneuvers than professional wrestlers in the United States, who more than often rely on power and hard strikes to subdue their opponents. The difference in styles is due to the contained evolution of the sport in United mexican states showtime in the 1930s and the fact that luchadores in the cruiserweight division (peso semicompleto) are oftentimes the almost popular wrestlers in Mexican lucha libre.[xiii] Luchadores execute feature high flying attacks past using the wrestling ring'south ropes to catapult themselves towards their opponents, using intricate combinations in rapid-burn succession, and applying complex submission holds. Rings used in lucha libre generally lack the spring supports added to U.Southward. and Japanese rings; as a event, lucha libre does not emphasize the "flat back" bumping style of other professional wrestling styles. For this same reason, aerial maneuvers are almost always performed to opponents exterior the ring, allowing the luchador to break his fall with an acrobatic tumble.

Lucha libre has several dissimilar weight classes, many catered to smaller agile fighters, who often make their debuts in their mid-teens. This organisation enables dynamic high-flying luchadores such as Rey Mysterio, Jr., Juventud Guerrera, Super Crazy and Místico, to develop years of feel by their mid-twenties.[14] A number of prominent Japanese wrestlers also started their careers preparation in Mexican lucha libre before becoming stars in Japan. These include Gran Hamada, Satoru Sayama, Jushin Thunder Liger, and Último Dragón.

Lucha libre is also known for its tag team wrestling matches. The teams are oftentimes made up of three members, instead of two as is common in the United States. These three human teams participate in what are called trios matches, for tag squad championship belts. Of these 3 members, one member is designated the captain. A successful fall in a trios match tin can be achieved by either pinning the captain of the opposing team or past pinning both of the other members. A referee can likewise stop the match because of "excessive penalty". He can then award the lucifer to the aggressors. Falls ofttimes occur simultaneously, which adds to the extremely stylized nature of the action. In addition, a wrestler can opt to roll out of the ring in lieu of tagging a partner or simply be knocked out of the ring, at which point one of his partners may enter. As a result, the tag team formula and pacing which has developed in U.Due south. tag matches is different from lucha libre considering the race to tag is not a priority. There are besides two-human tag matches (parejas), also as "four on four" matches (atomicos).[15]

Masks [edit]

Masks (máscaras) take been used dating back to the beginnings of lucha libre in the early part of the 20th century, and have a historical significance to United mexican states in general, dating to the days of the Aztecs.[16] Early masks were very uncomplicated with basic colors to distinguish the wrestler. In modern lucha libre, masks are colorfully designed to evoke the images of animals, gods, ancient heroes and other archetypes, whose identity the luchador takes on during a performance. Well-nigh all wrestlers in Mexico volition beginning their careers wearing masks, just over the bridge of their careers, a large number of them will be unmasked. Sometimes, a wrestler slated for retirement will be unmasked in his final bout or at the beginning of a terminal tour, signifying loss of identity as that character. Sometimes, losing the mask signifies the cease of a gimmick with the wrestler moving on to a new gimmick and mask. The mask is considered sacred to a degree, so much so that fully removing an opponent's mask during a match is grounds for disqualification.[17]

During their careers, masked luchadores will often be seen in public wearing their masks and keeping up the civilization of Lucha Libre, while other masked wrestlers will interact with the public and press normally. Withal, they volition still become to great lengths to conceal their true identities; in effect, the mask is synonymous with the luchador. El Santo continued wearing his mask afterwards retirement, revealed his confront briefly only in old age, and was buried wearing his silver mask.

More recently, the masks luchadores wear have become iconic symbols of Mexican culture. Contemporary artists like Francisco Delgado and Xavier Garza incorporate wrestler masks in their paintings.[xviii]

Although masks are a feature of lucha libre, it is a misconception that every Mexican wrestler uses 1. At that place have been several maskless wrestlers who have been successful, particularly Tarzán López, Gory Guerrero, Perro Aguayo and Negro Casas. Formerly masked wrestlers who lost their masks, such as Satánico, Cien Caras, Cibernético and others, have had connected success despite losing their masks.

Luchas de apuestas [edit]

With the importance placed on masks in lucha libre, losing the mask to an opponent is seen as the ultimate insult, and tin can at times seriously hurt the career of the unmasked wrestler. Putting one'southward mask on the line against a hated opponent is a tradition in lucha libre as a means to settle a heated feud between ii or more wrestlers. In these battles, called luchas de apuestas ("matches with wagers"), the wrestlers "wager" either their mask or their hair.[nineteen]

"In a lucha de apuesta (betting match), wrestlers make a public bet on the consequence of the match. The most common forms are the mask-confronting-mask, pilus-against-hair, or mask-confronting-hair matches. A wrestler who loses his or her mask has to remove the mask later on the friction match. A wrestler who loses their hair is shaved immediately afterward."[20] If the true identity of a person losing his mask is previously unknown, it is customary for that person to reveal his real proper name, hometown and years every bit a professional person upon unmasking.

The commencement lucha de apuestas was presented on July xiv, 1940, at Arena México. The defending champion Murciélago (Velázquez) was and so much lighter than his challenger (Octavio Gaona), he requested a further condition earlier he would sign the contract: Octavio Gaona would take to put his pilus on the line. Octavio Gaona won the match and Murciélago unmasked, giving birth to a tradition in lucha libre.[21]

Variants [edit]

  • Máscara contra máscara ("mask versus mask"): two masked luchadores bet their masks, the loser is unmasked by the winner. The quintessential example is the 1952 match in which El Santo gained the mask of Black Shadow (wrestler). This match is then trascendental that stablished the Lucha Libre equally a cultural phenomena in Mexico. Some other example is occurred in the year 2000 when Villano Three lost his mask to Atlantis (wrestler). In which is considered (arguable) the best Lucha Libre match in history. While a close trascendental for masks bets history is the family feud between Ray Mendoza'due south sons against Shadito Cruz'south ones. Which atomic number 82 in 1988 to a triple mask between Villano I, Villano Four and Villano 5 versus El Brazo, Brazo de Oro (wrestler) and Brazo de Plata, with the Villanos winning the masks of the Brazos brothers.
  • Máscara contra cabellera ("mask versus hair"): a masked wrestler and an unmasked one compete, sometimes after the unmasked one has lost his mask to the masked one in a prior bout. If the masked luchador wins, the unmasked one shaves his head as a sign of humiliation. If the unmasked luchador is the winner, he keeps his hair and the loser is unmasked. This kind of matches are non and then frequent since, since masked wrestlers usually are reluctant to trounce his masks against hair. This is considering masks are a most preciated trophy than hairs, and masked wrestlers had more on the line than unmasked ones (ofthen unmasking result in a decrease of popularity for the wrestler, as well, a masked wrestler ordinarily lost his mask only one time, while unmasked wrestlers tin get shaved many times). Most frequently the upshot is the masked wrestler wining the hair of he unmasked one. But at that place are examples when the opposite result happens. The Perro Aguayo (male parent) was a wrestler that never adopted a masked gimmik and was very successful in beat out matchs, unmasking of import wrestlers like Konnan, Máscara Año 2000 and Stuka (father). Too his hair was a preciated trophy enough for legends such El Solitario, El Santo and Villano III to put their masks on the line to win Aguayo'due south hair. Another important hair was from Cavernario Galindo, a legendary unmasked wrestler from the aureate age of Mexican Lucha Libre, a case similar to Aguayo's, he never wrestled masked. And although Galindo never win a mask, he was respected enough that the two most important wrestlers in Mexican history, El Santo and Blue Demon, risked their identities to win Galindo's hair.
  • Cabellera contra cabellera ("hair versus hair"): the loser of the match has his caput shaved bald. This can occur both betwixt unmasked wrestlers and between masked wrestlers who accept to remove their mask enough to be shaved after the match. This matches are very common, and are far from the interest and expectation the masks beats have. Just still in that location are some wrestlers that went noticed past these kind of beats. Examples are El Satánico, Negro Casas Perro Aguayo and Villano III (After unmasked, although as masked wrestler he has likewise one of the greatest masks winners in history). An case are the several matches between El Dandy vs El Satánico, ii wrestlers engaged in hard core rivality among two decades that often went into hair bets. A curious example is the lucifer between Blue Panther and Negro Casas which ended tied and both were shaved.
  • Máscara o cabellera contra campeonato ("mask or hair versus title"): if the title challenger loses, they are unmasked or shaved. Only if the champion loses, the challenger is crowned the new champion. An instance of this occurred in WWE, where Rey Mysterio, a masked luchador, crush the Intercontinental Champion Chris Jericho at The Bash. A different result happened on Raw in 2003, where Kane failed to defeat Triple H for the World Heavyweight Championship, and unmasked per the stipulation.
  • Máscara o cabellera contra retiro ("mask or pilus versus career"): if the masked or haired luchador loses, his opponent wins the mask or hair. But if he wins, his opponent must retire.
  • Carrera contra carrera ("career versus career"): Loser must retire. An example of this occurred in the WWF, where The Ultimate Warrior defeated "Macho Man" Randy Barbarous at WrestleMania Seven.
  • Apuesta por el nombre ("bet for the name"): A rare case, two luchadores with the same or like name boxing among them for the right to use a proper name or identity. This occurs mostly when the original luchador leaves a wrestling company but the visitor retains the name and character (ofttimes despite the disagreement of the luchador) and the company gives that gimmick to some other luchador. If after a while the original possessor returns to the company, information technology's frequent that he or she claims to be the rightful owner of that character, and adopts a similar proper name, if the conditions allows it, this can exist solved in a "lucha de apuesta" where the winner is considered the rightful owner of the character. Sometimes, but non necessarily, it may too result in the loss of the mask for the loser. The most notorious case are the two bouts (with the first match being controversial and thus anulated) in 2010 of Adolfo Tapia (AKA, Fifty.A. Park, a word play for "la auténtica parca", i.e. "the autentic parca" in Castilian) against Jesús Alfonso Huerta (AKA. La Parka, La Parka Two), in which Tapia (the original Parka) failed to recover the name, and Huerta retained the identity until his expiry in 2020. Another case is Mr. Niebla from Consejo Mundial de Lucha Libre (Efrén Tiburcio Márquez) who won the proper name and mask bet against Mr. Niebla from IWRG (Miguel Ángel Guzmán Velázquez).

Weight classes [edit]

Since Lucha Libre has its roots more in Latin American professional wrestling than Northward American professional wrestling information technology retains some of the basics of the Latin American version such equally more weight classes than professional person wrestling in North America post Globe War II. Like "old schoolhouse" European (peculiarly British) wrestling, some Japanese wrestling and early 20th century American wrestling,[22] Lucha Libre has a detailed weight grade arrangement patterned after battle. Each weight grade has an official upper limit, but examples of wrestlers who are technically besides heavy to concur their title can be found. The post-obit weight classes exist in Lucha Libre, equally defined by the "Comisión de Box y Lucha Libre Mexico D.F." (the Mexico Urban center Battle and Wrestling Commission), the main regulatory body in Mexico:[23]

English language name Spanish name Weight Height Limit Partitioning Titles
Heavyweight Peso Completo Unlimited National CMLL AAA UWA NWA IWRG WWA
Cruiserweight / Junior Heavyweight Peso Crucero / Peso Junior-Completo 105 kg (231 lb) National AAA UWA NWA
Light Heavyweight Peso Semicompleto 97 kg (214 lb) National CMLL UWA NWA WWA
Super Middleweight / Junior Calorie-free Heavyweight Peso Super Medio / Peso Semicompleto Inferior 92 kg (203 lb) UWA WWA
Middleweight Peso Medio 87 kg (192 lb) National CMLL UWA NWA IWRG WWA
Super Welterweight Peso Super Wélter 82 kg (181 lb) IWRG
Welterweight Peso Wélter 77 kg (170 lb) National CMLL UWA NWA IWRG WWA
Super Lightweight Peso Super Ligero 73 kg (161 lb) CMLL
Lightweight Peso Ligero 70 kg (150 lb) National CMLL UWA IWRG WWA
Featherweight Peso Pluma 63 kg (139 lb) National UWA
Bantamweight Peso Gallo 57 kg (126 lb)
Flyweight Peso Mosca 52 kg (115 lb)
Mini-Star Mini-Estrella Shorts Wrestlers National CMLL AAA WWA
Micro-Star Micro-Estrella Dwarfism Wrestlers CMLL NWA

Other characteristics [edit]

Mascara Sagrada has been involved in a long running copyright dispute over the use of the Máscara Sagrada name, outfit and mask with AAA, who claimed that they owned the copyright to the grapheme and has even promoted other wrestlers as "Máscara Sagrada". Máscara Sagrada'southward real proper name is non a matter of public record, as is ofttimes the case with masked wrestlers in United mexican states where their private lives are kept a hush-hush from the wrestling fans.[13]

Luchadores are traditionally divided into ii categories, rudos (lit. "tough guys", who are "bad guys", or "heels"), who bend or break the rules, and técnicos (the "good guys", or "faces", literally "technicians"), who play by the rules and their moves are much more complex and spectacular. Técnicos tend to have very formal combat styles, close to Greco-Roman wrestling and martial arts techniques, whereas rudos tend to be brawlers. Técnicos playing the "practiced guy" role, and rudos playing the "bad guy" function is very characteristic of Mexican lucha libre, which differs from U.S. professional wrestling, where many technical wrestlers play the part of heels (e.thousand., Kurt Angle), and many brawlers play every bit "faces" (e.thou., Stone Cold Steve Austin & The Rock).[24] Although rudos oftentimes resort to using underhanded tactics, they are still expected to alive up to a luchador lawmaking of honor. For instance, a luchador who has lost a wager match would prefer to endure the humiliation of existence unmasked or having his caput shaved rather than live with the shame that would come from non honoring his bet. Rudos have too been known to brand the transition into técnicos afterward a career defining moment, equally was the case with Blue Demon, who decided to become a técnico after his wrestling partner, Blackness Shadow, was unmasked past the legendary Santo. Tag teams are sometimes composed of both rudos and técnicos in what are chosen parejas increibles (incredible pairings). Parejas increibles highlight the conflict between a luchador 's desire to win and his contempt for his partner.[25]

A staple gimmick nowadays in lucha libre since the 1950s is exótico, a character in drag. Information technology is argued that the gimmick has recently attained a more than flamboyant outlook.[26]

Luchadores, like their foreign counterparts, seek to obtain a campeonato (championship) through winning central wrestling matches. Since many feuds and shows are built around luchas de apuestas (matches with wagers), title matches play a less prominent part in Mexico than in the U.S. Titles tin exist defended every bit few as one fourth dimension per year.[27]

The two biggest lucha libre promotions in Mexico are Consejo Mundial de Lucha Libre (CMLL), which was founded in 1933, and Lucha Libre AAA World Wide (AAA).[27]

Fans honoring wrestlers [edit]

One characteristic practiced in Mexico is with fans honoring wrestlers by throwing money to the wrestling ring later witnessing a high quality match. With this act fans honor the luchador in a symbolic way, thanking the luchador for a spectacular friction match demonstrating they are pleased with their performance, showing the match is worth their money and worth more than than what they paid for to witness such event. This act of honoring the luchador is uncommon: months tin can pass without it happening, because fans are the toughest of critics, booing the luchador if they are non pleased with their performance. Booing may happen regardless of the perceived virtuousness of the luchador's persona.

The luchador, after receiving such an act of award, volition pick up the coin and save information technology as a symbolic trophy, putting it in a vase or a box, labeled with the date, to be treasured.

Female professional wrestlers [edit]

Female wrestlers or luchadoras also compete in Mexican lucha libre. The CMLL World Women's Championship is the height title for CMLL's women's division, while the AAA Reina de Reinas Championship is a championship defended in an annual tournament by female person wrestlers in AAA. AAA besides recognizes a World Mixed Tag Team Championship, contested past tag teams composed of a luchador and luchadora respectively. In 2000, the all female promotion company Lucha Libre Femenil (LLF) was founded.[28]

Mini-Estrellas [edit]

Cuije, an example of Mini-Estrella

Lucha Libre has a partitioning called the "Mini-Estrella" or "Minis" partition, which unlike North American midget wrestling is non merely for dwarfs but also for luchadores that are short. The maximum allowable acme to participate in the Mini division was originally v feet, just in contempo years wrestlers such as Pequeño Olímpico take worked the Minis sectionalization despite being i.69 yard (5 ft 6+ 1⁄2  in) tall.[29] The Minis partition was kickoff popularized in the 1970s with wrestlers similar Pequeño Luke and Arturito (a wrestler with an R2-D2 gimmick) becoming noticed for their high flying abilities. In the late 1980s/early 1990s CMLL created the first bodily "Minis" division, the brainchild of and so-CMLL booker Antonio Peña. CMLL created the CMLL World Mini-Estrella Championship in 1992, making it the oldest Minis championship notwithstanding in being today.[xxx] Minis are oftentimes patterned after "regular-sized" wrestlers and are sometimes called "mascotas" ("mascots") if they team with the regular-sized version.[29]

Luchadores in the United States [edit]

In 1994, AAA promoted the When Worlds Collide pay-per-view in conjunction with the U.S. promotion company Globe Championship Wrestling (WCW). When Worlds Collide introduced U.Due south. audiences to many of the superlative luchadores in Mexico at the time.

In contempo years, several luchadores have found success in the U.s.a.. Notable luchadores who achieved success in the U.S. are Eddie Guerrero, Chavo Guerrero, Rey Mysterio, Jr., Juventud Guerrera, L. A. Park, Super Crazy, Alberto Del Rio, Psicosis, Místico, Kalisto, Aero Star, Drago, Andrade El Idolo, Pentagon Jr., Fenix, El Hijo del Fantasma, Bandido, Flamita, Puma King, Rush, Soberano Jr., Dragon Lee, Guerrero Maya Jr. and Stuka Jr.

CMLL Lucha libre shows are broadcast weekly in the U.Due south. on the Galavisión and LA TV Spanish linguistic communication cable networks.

Lucha Underground is a television series produced by the United Artists Media Grouping which airs in English on the El Rey Network and in Spanish on UniMás. It features wrestlers from the American contained circuit and AAA.[31] AAA also owns a percentage of Lucha Underground.[32] The series, which is taped live in Boyle Heights, California, finished season 4 finale.

In 2012, the Arizona Diamondbacks Major League Baseball team started doing promotions involving Lucha Libre. A luchador mask in Diamondback colors was a popular giveaway at one game. In 2013 a Diamondbacks Luchador was fabricated an official mascot, joining D. Baxter Bobcat. The outset xx,000 fans at the July 27 game against the San Diego Padres were to receive a luchador mask.

National variants [edit]

In Peru the term "cachascán" (from "grab as can") is used. Wrestlers are called cachascanistas.[33] In Bolivian Lucha Libre, wrestling Cholitas – female wrestlers dressed upward as ethnic Aymara – are popular,[34] [35] and accept fifty-fifty inspired comic books.

Promotions using lucha libre rules [edit]

Tinieblas debuted at a relatively old historic period of 32, and then he never reached the same physical summit as many other popular luchadores of his generation. However, his grapheme remains popular with immature lucha libre fans, primarily due to his advent in comic books and films. Tinieblas still wrestles occasionally and has appeared alongside his son Tinieblas Jr.

Australia [edit]

  • Lucha Fantastica[36] [37]

Republic of colombia [edit]

  • Social club Action Wrestling (SAW)

United mexican states [edit]

  • Consejo Mundial de Lucha Libre (CMLL)
  • Lucha Libre AAA Worldwide (AAA)
  • International Wrestling Revolution Group (IWRG)
  • Universal Wrestling Association (defunct)
  • World Wrestling Association (Promociones Mora)
  • Lucha Libre Elite
  • The Crash Lucha Libre
  • Alianza Universal De Lucha Libre
  • Other Promotions

Japan [edit]

  • New Japan Pro-Wrestling
  • Michinoku Pro Wrestling
  • Osaka Pro Wrestling
  • Toryumon / Dragon Gate
  • Universal Lucha Libre (defunct)

Britain [edit]

  • Lucha Britannia
  • Lucha Libre World

Usa [edit]

  • Chikara
  • Incredibly Foreign Wrestling
  • Invasion Mundial de Lucha Libre
  • Lucha Libre United states of america
  • Lucha VaVOOM
  • Lucha Cloak-and-dagger

In mixed martial arts [edit]

Some lucha libre wrestlers had careers in various mixed martial arts promotions, promoting lucha libre and wearing signature masks and attire. One of the well-nigh famous is Dos Caras Jr.[38]

In popular culture [edit]

Lucha Libre has crossed over into popular civilisation, especially in Mexico, where it is the second most pop sport after soccer.[39] Outside of Mexico, Lucha Libre has besides crossed over into pop culture, especially in movies and tv. Depictions of luchadors are frequently used as symbols of Mexico and Mexican culture in not-Spanish-speaking cultures.

The character Mask de Smith from the video game killer7 is a lucha libre wrestler, featuring a mask and cape.

Movies and television [edit]

The motion flick Nacho Libre, starring Jack Black equally a priest-turned-luchador was inspired by the story of Father Sergio Gutiérrez Benítez, a existent-life Cosmic priest who wrestled as Fray Tormenta to make coin for his church building.[forty] The documentary feature Lucha Mexico (2016) captured the lives of some of United mexican states's well known wrestlers. The stars were Shocker, Blue Demon Jr., El Hijo del Perro Aguayo and Último Guerrero. Directed by Alex Hammond and Ian Markiewicz.[41] Rob Zombie'southward blithe film The Haunted World of El Superbeasto stars a Mexican luchador named El Superbeasto.[42]

Television receiver shows have likewise been inspired past Lucha Libre, particularly blithe series such as ¡Mucha Lucha!, Cartoon Network besides produced an animated mini-series based on luchador El Santo.[43] The WB television series Angel episode entitled "The Cautionary Tale of Numero Cinco" told the story of a family of luchadores called "Los Hermanos Números" who besides fought evil. Angel must assistance the remaining brother, Numero Cinco, defeat the Aztec warrior-demon that killed his four brothers.[44] In the British TV show Justin Lee Collins: The Wrestler, Colins competes as the rudo El Glorioso, or The Glorious One, confronting the exótico Cassandro in The Roundhouse, London, ultimately losing and being unmasked.[45] The book and goggle box series The Strain by Guillermo del Toro and Chuck Hogan, features a retired luchador character called Affections de la Plata (The Silver Angel), played by Joaquin Cosio. In the storyline, Angel de la Plata (probably based on El Santo) was a major masked wrestling star in Mexico, appearing both in the band and in a series of movies in which his character battled all manner of foes including vampires. A knee joint injury concluded his career but he is called upon to employ his fighting skills against a real-life vampire invasion of New York.[46] The Fox Kids live-action series Los Luchadores (2001) starred a trio of masked wrestlers consisting of Lobo Fuerte, Maria Valentine, and Turbine who not only participate in wrestling tournaments but also fight to protect their dwelling house of Union City from numerous threats (both natural and supernatural).

Video Games [edit]

The popular video game franchise Pokémon introduced the Fighting/Flight-type Pokémon Hawlucha, which is an hawk-like humanoid creature with elements of a Lucha Libre wrestler.

The masked Luchador fighter and chef El Fuerte was introduced to the Street Fighter franchise in Street Fighter Four.

The fighting game Garou: Marking of the Wolves and it'southward follow-up, the King of Fighters series, featured the graphic symbol Tizoc who was a Luchador that wore a mask resembling the head of a griffon.

The Dead or Alive franchise features a masked luchadora chosen La Mariposa.

The Tekken fighting game franchise features the characters known every bit Male monarch and Armor King, both of whom are Luchadors and have similar jaguar-mode masks.

Guacamelee! and its sequel Guacamelee! 2 heavily feature Luchador masks, with the main protagonist, Juan Aguacaste, being bestowed a mystical mask to help him become revenge on Carlos Calaca, an evil charro skeleton (in Guacamelee) and to assistance him fight Salvador, an evil Luchador, in Guacamelee! 2.

Net civilisation [edit]

Strong Bad of the Homestar Runner universe began as a parody of Lucha Libre. His head is designed subsequently a mask.

Lucha libre inspirations [edit]

Nike has designed a line of lucha libre-inspired able-bodied shoes.[47] Coca-Cola developed a Blue Demon Full Throttle energy drink named after the luchador Bluish Demon, Jr. who is as well the spokesperson for the drink in Mexico.[48] Coca-Cola likewise introduced "Gladiator" in Mexico, an energy potable that sponsored CMLL events and that featured CMLL wrestlers such as Místico and Último Guerrero.[49]

See as well [edit]

  • Luchador motion-picture show
  • Styles of wrestling

References [edit]

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Notes [edit]

  • Allatson, Paul (2007). Key Terms in Latino/a Cultural and Literary Studies. Malden, Mass.: Blackwell Publishing. ISBN 9781405102506, ISBN 9781405102513. OCLC 71044272.

External links [edit]

  • Media related to Lucha libre at Wikimedia Commons
  • Lucha Wiki
  • Pro-Wrestling Title Histories of United mexican states
  • Title histories of Kingdom of spain

nicolalitine71.blogspot.com

Source: https://en.wikipedia.org/wiki/Lucha_libre

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